UTSUTSU
Part of the calligraphy is covered with frosted acrylic, fixed with bolts.
Within a single work, a border is drawn between the area where contours remain and the area where they dissolve
— the boundary between reality and what precedes naming, erected as physical matter on the surface.
書の一部を、すりガラス型アクリルで覆い、ボルトで留める。
一枚の中に、輪郭が見える領域と、溶けていく領域の境界を引く
——名づけの手前と現実の境目を、画面の上に物質として立てるシリーズ。
Sense of Contact
Calligraphy is enshrined behind frosted acrylic inside a small cabinet with doors, modeled on a Buddhist altar.
To open, or not to open — the act of contact is entrusted to the viewer.
扉のある厨子(仏壇型)に、すりガラス越しの書を納める。
開けるか、開けないか——触れることを鑑賞者に委ねるシリーズ。
Phenomenon
The calligraphy is burned.
The ashes are sealed in acrylic and fixed.
A series that holds the process of language being stripped away, returning to pure phenomenon.
書を焼く。
灰をアクリルに挟み、留める。
言葉が剥がれ、純粋な現象へ還るプロセスを留めるシリーズ。
Origins
Early experiments from which the three series later diverged.
のちに三つのシリーズへ分岐していく、初期の実験群。
Early Works
Selected works. Full archive available on request.
掲載は抜粋です。全作品はお問い合わせください。